Home Art History • Behind the Image : Understanding the Old Testament in by Judith A. Kidd

Behind the Image : Understanding the Old Testament in by Judith A. Kidd

By Judith A. Kidd

Scenes and characters from the outdated testomony seem often in Western medieval paintings, but the examine in their value is a overlooked quarter of iconography. a typical literature for either Jews and Christians, the Hebrew Scriptures had an extremely large charm for the Church of the center a long time. Many sections of medieval society pointed out with the Hebrews of the previous testomony and sought from them direct versions for management, ethical behaviour or even artwork itself. many of the imagery in medieval paintings derived from shut examine of the biblical texts and from the retelling of those tales in modern poetry and drama.
This interdisciplinary research of artwork historical past and theology takes a thematic method of the ways that the Church drew at the old texts, concentrating on the themes precedent, word, time, typology and synagogue. The creation given right here to the sizeable scholarly and literary hinterland at the back of the artwork, with insights into the idea strategies from which the photographs emerged, not just brings clean views to precise sculptures, wall work, stained glass and liturgical gadgets, yet allows a greater realizing of outdated testomony iconography anywhere it truly is encountered

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Extra resources for Behind the Image : Understanding the Old Testament in Medieval Art

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Well-rehearsed commentary on the Genesis story held Cain, the murderer of Abel, to represent the Jews, while the victim, who had made the acceptable of fering of a lamb, anticipated Christ. When Cain, wearing his hat, makes his unacceptable of fering, carries out his crime against the hatless Abel, then is confronted by God who asks him about his brother’s whereabouts, there is possibly the innuendo that he does represent the Jews who killed Christ. Other inhabitants of the Salisbury sculpture, such as Noah and Joseph, albeit with their dif ferently styled head coverings, were usually viewed in Christian thought as virtuous characters.

It acquired various allegorical meanings, including Christ himself, the Church and the Virgin Mary. History and allegory, as well as the idea of the Old Testament episode or object prefiguring an event associated with the Gospels or the Church, transferred most readily into art. In the fifth century nave mosaics at Santa Maria Maggiore in Rome, the Ark is carried across the River Jordan and around the walls of Jericho as recounted in the Book of Joshua; in the Exodus window of the Sainte Chapelle it is made by Bezalel.

Joseph dreams, then the obedient son is sent of f by Jacob to his brothers who form the focus of the next four chronological scenes. The saga moves to Egypt and continues with the episodes of Potiphar’s wife, Joseph in prison where he converses with a fellow inmate – possibly the ‘good’ butler – while the other sleeps, Pharaoh’s dream of cows and Joseph before Pharaoh. Interest then returns to the brothers who have made the journey from Canaan to buy corn. A cup is discovered in Benjamin’s sack, giving Joseph the opportunity to keep him with him when the others return to their father.

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