Heritage of an archive for generating, networking, curating, and getting to know artwork due to the fact that 1970.
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Extra info for Artpool: The Experimental Art Archive of East-Central Europe
274. 4. ): Galántai, Életmunkák/Lifeworks 1968–1993, Artpool – Enciklopédia Kiadó, Buda Correspondence Art of Ray Johnson / pest, 1996, pp. 252–255. Ray Johnson kapcsolatművészete, exhibition leporello, Ernst Múzeum, Morris, Michael: Ray Johnson: An Budapest, 1997 [pp. ] Appreciation, in: Ray Johnson. How Sad I am Today…, Morris and Röder, Helen Belkin Gallery, Vancouver, Canada, 1999, p. 10. Kornelia: Relations between Ray Johnson and Eastern Europe, in: How to Draw a Bunny: Reconsidering Mail Art.
T-shirts of the artists on the entrance door. Set against the walls were Róbert Swierkiewicz’s first mail art project titled Substitutable Self-portrait and the sheets of György Galántai’s assembling titled Textile without Textile (▶ p. 43). 56 A RT P OO L E V ENTS 1 9 7 9 – 1 9 9 1 1981 A RT P OO L E V ENTS 1 9 7 9 – 1 9 9 1 57 4–14 December 1981 Hazafias Népfront II. ker. Bizottsága (People’s Patriotic Front, 2nd district committee), Keleti Károly u. , Budapest 1981 Simon Studio presents: Christmas Exhibition and Fair Opened by Gábor Pogány Ö.
3) The first event of the “Slide Bank” project, György Galántai’s slide show presentation titled Chapel Exhibitions 1970–73, announced in the program of Szürenon 1969–79, was banned by the Budapest police. The ban was imposed by the ministry of the interior based on László Szabó’s article (1973 ▶ p. 31). A similar event that was to take place on October 8 at the fine art workshop in Dunaújváros (work shop leader: István Birkás), was banned by the police in Székesfehérvár at the request of the Budapest police.