By Feldman, M. (ed.), Cheng, J. (ed.), Jack Cheng, Marian H. Feldman
Via released works and within the lecture room, Irene wintry weather served as a mentor for the newest new release of students of Mesopotamian visible tradition. The contributions to this quantity in her honor symbolize a go component to the nation of scholarship this day.
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Extra info for Ancient Near Eastern Art in Context
Winter 573-583. Occasional Publications of the Samuel Noah Kramer Fund 11. Philadelphia: The University Museum. 1989. The “Hasanlu Gold Bowl”: Thirty Years Later. Expedition 31, no. 2-3: 87-106. 1989. North Syrian Ivories and Tell Halaf Reliefs: The Impact of Luxury Goods upon “Major” Arts. In Essays in Ancient Civilization Presented to Helene J. Kantor, edited by Albert Leonard, Jr. and Bruce Beyer Williams, 321-332. Studies in Ancient Oriental Civilization 47. Chicago: The Oriental Institute of the University of Chicago.
Editor) Ancient and Antique Glass in the Queens College Art Collection. New York: Queens College Press / City University of New York. 1976. Carved Ivory Furniture Panels from Nimrud: A Coherent Subgroup of the North Syrian Style. Metropolitan Museum Journal 11: 25-54. 1976. Phoenician and North Syrian Ivory Carving in Historical Context: Questions of Style and Distribution. Iraq 38: 1-22. 1977. Perspective on the “Local Style” of Hasanlu IVB: A Study in Receptivity. In Mountains and Lowlands: Essays in the Archaeology of Greater Mesopotamia, edited by Louis D.
3 With Irene’s direction, these simple objects brought me into contact with some of the larger theoretical ideas in art history—about cultural identity, gender and sexuality, and body decoration (for example, Marcus 1988, 1993). Irene encourages us all to work with excavated materials, for both ethical and intellectual reasons. She demonstrates in her teaching and writing that insights always become richer when one can embed a work of art in its original context. As a teacher, she is meticulous in her comments on our papers, to be published or otherwise.